When does art become obscenity? Cover Your Ears takes a close look at this question through the lens of the past 100 years of music and the ever-evolving discussion of legal and moral lines in the industry
To commemorate the 20 years that have passed since DC-based post-hardcore band Fugazi's last live appearance (November 4, 2002, at the Forum in London), Joe Gross, Joseph Pattisall and Jeff Krulik presented a screening of crowd-sourced, fan-recorded live shows, and rare archival footage to pay tribute to Fugazi's prowess as a live act—for old fans to remember and for a new generation to discover what they missed. This one-off screening event celebrates the fans and their cameras, as much as the band itself—a collision/collusion of the ephemeral moment on stage and the moments captured on camera.
The ongoing relationship between the worlds of punk rock and animal rights and how the music became a breeding ground for vegan activism.
The stories of some of the biggest artists in music, recalling the romance and adventure, as well as the idiocy and chaos, of their time on the road. While the world has changed, the custom has not changed. There is no other way to know whether you can make it in this business. You have to get in the van.
"Dope, Hookers and Pavement" is a lively and unfiltered account of the early days of the Detroit hardcore punk scene, circa 1981-82, in the notorious Cass Corridor, arguably one of the worst neighbourhoods in the city at the time. Featuring over 70 in-depth interviews — including John Brannon (Negative Approach), Tesco Vee (Meatmen, Touch and Go), Ian MacKaye (Minor Threat, Dischord Records), pro skater Bill Danforth, scene kids, and members of the Necros, The Fix, Violent Apathy and Bored Youth — and never-before-seen Super8 footage of the Freezer, "Dope, Hookers and Pavement" is both hilarious and reflective, and an overdue record of a nearly invisible but magic little moment in the long history of Detroit rock'n'roll.
Largely ignored and left to their own devices, a group of unassuming teenagers in late 80s and early 90s Sioux Falls, South Dakota created their own culture, community, and economy. And when they moved out into the world at large, they brought what they learned along with them. I Really Get Into It: The Underage Architects of Sioux Falls Punk is a story about the tenacity and ingenuity of youth, finding and following your convictions, and how the kids you least expect often make the most noise. Shot on location in eight cities and assembled from dozens of hours of archival video and hundreds of photos, the documentary features interviews with Larry Livermore (Lookout. Records), Ian MacKaye (Fugazi), Mike Park (Skankin' Pickle), Rebecca Hanten (Cadillac Blindside), Terry Taylor (Hammerlord), and dozens of current and former members of the Sioux Falls all ages music scene.
An in-depth exploration of a seminal moment in DC music history (circa 1976 to 1984) and the rise of harDCore. The film is made up of a mix of rare archive material, conversational interviews, and a collage editing style. Features early DC punk and hardcore bands like Bad Brains, Minor Threat, Slickee Boys, The Faith and more.
62-years-old Alva, the oldest professional, skateboarder in the world, is considered by many to be the godfather of modern day skateboarding. Alva’s brand of aggression and bravado in the 70’s set the stage for the way skateboarding would be forever defined. Vans’ The Tony Alva Story chronicles T.A.’s humble beginnings on the streets of Santa Monica to his rise to superstardom as part of the legendary Z-Boys, his inevitable drug-induced implosion and his ultimate rise from the ashes to accept his rightful place as a beacon of hope and inspiration for generations of skateboarders the world over.
Hardcore punk legend Ian MacKaye (Fugazi, Minor Threat) discusses memorable experiences from the many live shows he’s played.
The life and career of rock n' roll icon Joan Jett from her early years ripping it up onstage as the founder and backbone of hard-rock legends The Runaways, to her long time collaboration with Kenny Laguna as Joan Jett & the Blackhearts, and her enduring presence in pop culture as a rock pioneer and mentor. With her inimitable singles "I Love Rock n Roll," and "Bad Reputation" Joan Jett inspired a generation of young women to rock.
From Wikipedia, the free encyclopedia. Ian Thomas Garner MacKaye (born April 16, 1962) is an American singer, songwriter, guitarist, musician, label owner, and producer. Active since 1979, MacKaye is best known for being the frontman of the influential hardcore punk band Minor Threat, the post-hardcore bands Embrace and Fugazi, as well as The Evens. He is a co-founder and owner of Dischord Records, a Washington, D.C.-based independent record label. A key figure in the development of hardcore punk and an enthusiastic promoter of an independent-minded, do it yourself punk ethic, MacKaye also works as a producer, and has produced releases by Q and Not U, John Frusciante, 7 Seconds, Nation of Ulysses, Bikini Kill, Rites of Spring, Dag Nasty, and Rollins Band. Along with his seminal band Minor Threat, he is credited with coining the term "straight edge" to describe an ideology that eschews drug and alcohol abuse, though MacKaye has stated many times that he did not intend to turn it into a movement. Description above from the Wikipedia article Ian MacKaye, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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