In the French Jura Mountains, at the end of a fictitious Middle Ages, Else is an herbalist and a midwife. She and her young apprentice Nicole are interrupted during their daily practice: a stranger riding a horse has asked all the women of the village to gather in the small church.
No summer camp this year for 13-year-old Vivian and Max because of the imminent closure of the factory where their parents are working. But Vivian has a plan to make money and allow them to go to the camp anyway. Accompanied by Tom, their childhood friend, they will run into a race against time.
When Alexander suddenly leaves on a road trip to France, Lukas decides to join him as he’s been trailing his charismatic brother for his entire life. But during this journey he discovers that he finally has to go his own way, not knowing this decision would be so all-encompassing.
Though its aftertitles detailing the history of French nuke experiments suggest otherwise, writer/director Marion Hänsel’s Black Ocean is not a political treatise or a history lesson, instead taking advantage of the remote, isolated environments in which the experimentation took place – as well as the monumental imagery of the act itself – in order to communicate a more universal story about the power of awe. Ocean principally follows three young sailors on a French naval vessel in 1972, who are on course for an unknown destination in order to help carry out the bomb tests they’ve yet to personally witness. The film is essentially divided into two parts: before and after the blast.
A retired mobster goes on a revenge spree after being left for dead with 22 bullets in his body by his former childhood friend.
Two park benches, chewing-gum, a student waiting for her exam results, a strange young man who hangs around the park walkways, another who is bored. And a lot of sunshine. We are in a little southern French town at the end of June. Beads of sweat dot skin, skirts are shorter. The afternoon has only just begun.
Darling is a woman of today. It seems to always choose the wrong path. Suffers but does not look like a victim. Do not feel sorry for herself. On the contrary, shows a passion for life against all odds. She is struggling to exist. If you fall, get up. Because Darling is naive and fearless, brave and instinctive. Has the life force of a tragic heroine.
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