Alya Albora arrives in Mardin with her late husband’s funeral and their five-year-old son to fulfill her husband’s last will. However, this arrival marks a point of no return, and there is no way out of Albora. The head of the Albora tribe, Cihan Albora, is not indifferent to Alya’s struggles, but he refuses to let her take her child and leave. Confronting the darkness of the past, hidden secrets, and the harsh realities of the region, Alya Albora finds herself caught in a fierce struggle with her late husband’s family.
5 kids are working for a dark man called 'Çatal'. They find a baby in a trash bin, and because of Mercan's motherly instincts, they decide to take care of the baby; named 'Gülayşe'. Çatal, the bad guy notices the baby, thus the chaos begins by hurting him and killing a woman accidentaly who was looking for the baby. Frightened kids decide to abandon their territory. Gülayşe, the baby, is the daughter of a wealthy family couple, Bahar and Hafız Eyüboğlu. Her uncle, the boss of Çatal, kidnaps his niece for his agenda. To protect Ali from this murder, the kids agree to tell strangers they are siblings. And, a new life opens its doors when they meet a guy in their own cafe.
Sancar has always & Nare has always yearned for love. When they meet and fall in love as children, they know they are meant to be; they just have to wait to be old enough to marry. On the night of their wedding, a startling revelation by Nare forever changes their lives and puts their love on hold until the night of another wedding many years later.
After losing his wife and daughter in a terrorist act, Kadir Adalı decides to attempt suicide via car accident, unwittingly changing the course of his life and the three others involved in the accident.
Tas (Rock) is a film that presents a cross-section of the life of a family living a hard life in the countryside. It is a touch of sadness in the life of people living in nature- even as a part of it. And that life is nothing more than the waiting of a woman and man who lost their son. After waiting for many years, the family tries to get rid of the uncertainty by believing that the wounded man they found at the door is Selim (Ahmet Varli), their son.
When she is pregnant out of marriage, she will have to give her son to his older brother during birth. In the meantime, Meryem, the wife of Kudret, also gives birth. Kudret puts Ulfet's son next to his own child and says that the children are born twins. Years pass. These children are Sahin and Yusuf. Neither Neither nor Mary is aware of the facts, but Kudret does not know which is his son. Fikret Ana, who knows the living with all the facts, will be able to keep the secret that he has kept for years until when?
İhsan is a maintenance worker at a hospital. He seems to be a colourless, introverted, dull guy, who never raises his voice to anyone. As anger mounts inside him, he maintains his silent, awkward, weak appearance. Life goes by, boring and monotonous. Ihsan carries test tubes and x-rays to doctors, counts needles, finishes work and leaves the hospital to go home. He buys food, ignores the local guys who taunt him, obediently listens to his landlady who lives in the same building and who always has something to say, and eats a TV dinner thus completing another day. However, just as everyone, he has his dirty little secrets as well. The doctor is cheating on his wife, the nurse is doing drugs and Ihsan is involved in unusual activities at the morgue. This is a strange film about strange people doing strange things. 18 - Contains sexually explicit scenes that may be inappropriate for younger viewers.
A married women has to fight for the things she lost because of the revealed secrets of her husband.
A successful lawyer meets her lost childhood love after 13 years of deserting her poor hometown and abusive family. That encounter forces her to reconcile with her traumatic past and search for her lost family and their tragic fate.
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