The main thing is sexy - no matter whether thin, fat, what skin color, young, old, we can all be sexy in different ways. Almost every woman grows up having to work on herself in order to remain desirable. Why? What if we stopped pushing ourselves into a sexy pose with all our might? What if we no longer fought for the right to be sexy, but were truly free? What if we stopped investing all our time and energy in being heard and the world started to hear us? A modern movie about modern women and men - who might be able to find a common language.
Ecology, equality, sustainability: Anita and Sarah pursue lofty political goals as they establish a new feminist party. By contrast, the men who are infected by a new type of virus tend to have less honorable intentions. The consequences: sexual obsession, molestation, and death. Urgent effort is put into developing a vaccine. But should the male sex be saved at all?
In a criminal trial at the Berlin district court, in which the accusation of rape is being heard, it is one statement against the other - a seemingly insoluble dilemma, both legally and humanly, that has enormous explosive power. Because beyond the professional and private future of two people, it is about nothing less than the values and prejudices that define us as a society. It is a case of high public attention: the well-known TV presenter Katharina Schlüter and the industrialist Christian Thiede have had a secret affair that has lasted for years, and now they are sitting opposite each other in the courtroom as hostile parties. On the witness stand, Schlüter describes how what was initially consensual sex in Thiede's apartment turned into rape. But are circumstantial evidence sufficient? Experts and witnesses are questioned, and an unexpected turn of events doesn't make it any easier for the court to decide on credibility and truth.
Director Joseph is working through a new idea for a film and the breakup with his ex-boyfriend Marc. At the same time Sonya, the mother of his son Pino, is suffering from a depression that increasingly tears her from her life.
Michael, an open-pit miner, refuses to accept the fact that coal is being phased out. He doesn’t want things to change. Working in an open-pit mine is more than just a job to him. He tries to convince his co-workers to join in his protest of the changes afoot, but by not being able to let go, he gets less and less support — even from his family.
Vera and Wolf Küper live in Berlin with their 5-year-old daughter Nina and their one-year-old son Simon. Vera takes care of the children and the household alongside a part-time job, while Wolf works as a scientific advisor to the UN, trying to raise awareness of the seriousness of the coming climate catastrophe. The stressful everyday life in a system that is not exactly family-friendly puts increasing strain on the young family and the couple's relationship. The Küper family's way of life is finally shaken to the core when little Nina is diagnosed with a fine motor and coordination disorder. At this moment, Wolf remembers a wish that his daughter expressed shortly before going to bed. Nina would like to have a million minutes, just for the really nice things.
Boris and Jonathan have been a couple for many years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. While actor Boris digs deeper into rehearsals for a new film with an ambitious director and begins to mix real and fictional characters, Jonathan tries to redefine his voice as a writer. Ghosting through these days of wrestling with distance, closeness, trust, desire and fear of loss is Jonathans' young niece Josie, who is trying to deal with the approaching end of her childhood in her own idiosyncratic way. BONES AND NAMES, the feature debut of Fabian Stumm, portrays people searching for their place in life in different ways. A sensitive and humorous reflection on the dissonances in relationships that both connect and distance us from each other.
As a construction manager, drinking is more of a normality for Mark than not drinking. In addition to his work on construction sites, during business dinners and sprawling Berlin party nights, there is always a reason for him to fully indulge in alcohol intoxication. When he tries to drive his car out of a no-parking zone in a drunken stupor one night, he is promptly checked and immediately loses his driver's license. For Mark, this is reason enough to make a bet with his best friend Nadim: He wants to manage not to touch any alcohol until he has his driver's license again.
Inspector Sörensen has finally retreated to the Frisian province, but he still has to contend with his own inner demons. Loneliness, insomnia and inner restlessness plague him, and although he does everything he can to stop taking his medication for the anxiety disorder, he remains trapped in his psychological torment. One dark night he almost runs over a young, disturbed woman on the country road. She is malnourished, wears only a nightgown and is blind. After she finally reveals her identity to Sörensen, a web of murder, religious madness and well-kept secrets begins to unfold before him. Sörensen is overwhelmed, not only by the shocking situation, but also by his own demons, which are gaining power over him again. The villagers reject him, and as fear takes hold of him again, he will soon realize that it won't just be a corpse.
Suburban summer heat. Merit, Eva, Lion, Rose and David cautiously wind around their conflicted relationships. They talk, but their words don’t meet. They play theatre while rehearsing their lives. The garden needs watering. Fears of the future and traces of violence relentlessly press into the present. A narrative of the beauty and gravity that arise from discovering our individual truths.
By browsing this website, you accept our cookies policy.