Valeria's joy at becoming a first-time mother is quickly taken away when she's cursed by a sinister entity. As danger closes in, she's forced deeper into a chilling world of dark magic that threatens to consume her.
The journey of an unemployed amateur musician who reluctantly agrees to take care of his young nephew.
A rich and handsome architect is flying from Acapulco to Mexico City when his plane crashes. A beautiful, young girl finds him in the forest and decides to bring him home to look after him.
Javier se ha casado con María, el amor de su vida, y ahora lo único que desea es estar feliz con ella el resto de su vida, pero el destino se la quita poco después de la boda. Ahora Javier está enredado en sus emociones: ¿cómo aceptará la muerte de su mujer para encontrar nuevamente el amor?
Three stories make up this film, each with a teacher as the protagonist of the struggle against the many deficiencies of our country´s educational system.
Set in a Tex-Mex border town, Not Forgotten is a classic psychological thriller about Jack and Amaya Bishop, a couple who must come to terms with their tortured pasts in order to save their kidnapped daughter. It is a tale taut with intrigue and steeped in Latino mysticism, where the line between what's real and what's imagined becomes hopelessly blurred.
Pobre Diabla is a telenovela by TV Azteca in partnership with Venevision Continental, produced by Fides Velasco and starring Alejandra Lazcano, the presentation of Cristobal Lander in Mexico, Hector Arredondo, Leonardo Daniel, Rafael Sanchez Navarro and antagonistic involvement of Claudia Alvarez. It is adapted from telenovela "Cara Sucia" of Venezuela, which is also a version of the drama "La Gata", written by Ines Rodena.
A young man dies by electrocution, but his body remains alive for a few days.
A young girl recounts her girlhood and eventual marriage to a general of the Mexican revolution. by one of the most outstanding writers of the new feminist Mexican literature, it is at once a haunting novel of one woman's life and a powerful account of post-revolutionary Mexico from a female perspective.
Glasgow-based artist Phil Collins’s film Soy Mi Madre examines the immigrant populations of Colorado’s Roaring Fork Valley, a sizable percentage of which hail from northwestern Mexico. The region relies heavily on service and maintenance work provided largely through this population, who often commute to work in Aspen. Loosely inspired by Jean Genet’s The Maids—a seminal example of Theatre of the Absurd that renders surreal the intricate power dynamics that exist between people of divergent socioeconomic groups and exploits the volatility of social identity—Soy Mi Madre portrays the social realities of this region through the melodramatic lens of the telenovela. Reproduced in this volume through a generous selection of stills, the film uses popular Mexican television actors and crew, including Patricia Reyes Spindola, Zaide Silvia Guitérrez, Veronica Langer, and Salvador Parra, as well as members of the transsexual prostitute community of Mexico City.
By browsing this website, you accept our cookies policy.