Giacomo Puccini’s final operatic masterpiece, Turandot, is one of the repertory’s most extravagant spectacles. And in the Met’s production, by legendary director Franco Zeffirelli, this tale of an icy Chinese princess and the mysterious prince vying to win her love takes on larger-than-life proportions. This performance, recorded as part of the company’s series of Live in HD cinema transmissions, stars Ukrainian soprano Liudmyla Monastyrska in the formidable title role, going head-to-head with tenor Yonghoon Lee as Prince Calàf, who must correctly answer Turandot’s three riddles or forfeit his head. Maestro Marco Armiliato, a veteran of nearly 500 Met performances, takes the podium to lead a stunning cast, which also features soprano Ermonela Jaho as the self-sacrificing Liù and bass-baritone Ferruccio Furlanetto as Calàf’s father, the blind king Timur.
Recorded at the Paris Opera and co-produced with Siberia’s Novosibirsk Opera, this new Macbeth uses cutting-edge multimedia technology to give the viewer a fresh perspective on the work. Google Earth satellite images plunge us into the heart of the action: a gloomy square surrounded by soulless buildings, and the interior of an aristocratic residence.
Coproduced with Siberia’s Novosibirsk Opera, this new Macbeth uses cutting-edge multimedia technology to give the viewer a fresh perspective on the work. Google Earth satellite images plunge us into the heart of the action: a gloomy square surrounded by soulless buildings, and the interior of an aristocratic residence. Witches are no more a part of Tcherniakov’s Macbeth that the duel was of Onegin, but once again the atmosphere is one of brooding claustrophobia. Tcherniakov has chosen a great cast, beginning with the marvellous Lithuanian soprano Violeta Urmana as Lady Macbeth. Greek baritone Dimitris Tiliakos is a powerful presence as Macbeth, while the Italians Ferruccio Furlanetto (bass) and Stefano Secco (tenor) are sumptuous as, respectively, Banquo and Macduff. In this, his second production at the Paris Opera, Teodor Currentzis, music director of the Novosibirsk Opera and Ballet Theatre conducts with verve and a splendid theatrical sense.
Starring Ferruccio Furlanetto, Giuseppe Filianoti & Dimitra Theodossiou. From Teatro Massimo, Palermo, Sicily
The Wiener Philharmoniker mounts, and Andrea Breth stages, this 2007 production of Pyotr Illych Tchaikovsky's opera Eugene Onegin, starring Peter Mattei, Joseph Kaiser, Anna Samuil and Renée Morloc. The Konzertvereinigung Wiener Staatsopernchor lends added musical accompaniment, under the baton of Daniel Barenboim.
One of the lesser known works by Giuseppe Verdi, Simon Boccanegra is regarded by most opera lovers as one of his finest. The action takes place in the 14th century and deals with the political and personal rivalry between the corsair Simon Boccanegra, who has been elected Doge of Genoa with the help of the plebeian vote, and the local nobleman, Jacopo Fiesco. Arthaus presents a visually alert, musically sensitive and disturbingly coherent (Der Standard) production of the piece on DVD. The staging was directed by one of the giants of the European theatre, Peter Stein. His fondness for atmospherically dense spaces in which the characters can fully develop is particularly well brought out in his Vienna production, not least because he had at his disposal two remarkable singing actors for the principal male roles, Thomas Hampson and Ferruccio Furlanetto.
This tribute to James Levine, first shown on PBS, was only part of that glorious evening. Here we have the whole performance, up to three hours. I could not stop watching these discs. Let me say this much; Levine has done for the Met, making it the premier opera house in the world, what Karajan did with the Berlin, making it one of the finest orchestras ever. So sit back and enjoy.
Ferruccio Furlanetto was born on May 16, 1949 in Sacile, Friuli-Venezia Giulia, Italy. He is an actor, known for La traviata (1982), Giuseppe Verdi: Don Carlos (1986) and La Gioconda (1979).
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