A vindication of the role of the technicians and artists who made spaghetti western genre possible, and a walk through the landscapes that made it possible to recreate in Spain, mainly in the desert of Almería, hundreds of adventures set in the remote American Far West.
After experiencing a series of traumatic, seemingly unrelated, accidents, Eva begins to notice that her daughter Luna is behaving in increasingly strange ways.
July 1, 1888. The body of a woman is discovered during a house fire, but the examination reveals that she died victim of a stabbing, not the flames. Her maid and pet dog are found drugged in another room.
During the Spanish Civil War a platoon of mismatched Republican soldiers cross the front-line to steal the bull that the enemy is going to fight on the local holiday of the nearby village. In addition to ruining the Nationalist faction's celebration they want the animal in order to butcher it and feed their famished troops. They get caught in the process and have to go through a series of funny and pathetic incidents before they can get back to their side.
One of the most popular performers in Spanish cinema. Born in Zaragoza, Sancho began acting in the theatre. After fighting in the Spanish Civil War, he entered films in 1940 and amassed over 400 credits in a career that spanned 50 years. During the 1960s and 1970s he played villains in several spaghetti westerns. His films include "Mariona Rebull" (1947), "Agustina de Aragón" (1950), Terence Young's "That Lady" (1955), Juan Antonio Bardem's "Muerte de un Ciclista" (1955), "King of Kings" (1961), "Lawrence of Arabia"(1962), "55 Days at Peking" (1955), "Historias de la Televisión" (1965), "Tres Superhombres en el Oeste" (1973), "1919. Crónica del Alba" (1983) and Berlanga's "La Vaquilla" (1984).
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