The encounter between physics and cinema and the terribly topical subject of the end of the world turned the set of Liliana Cavani's The order of time into a kind of Noah's Ark, where cast and crew isolated themselves for five weeks. Flooded by the climate emergency, wars, and the dystopian future, while Cavani holds the helm of the ship and Carlo Rovelli explains the end of time, the film's meteorite becomes in the documentary a metaphor for what happens in the protagonists' real lives.
Eva is 19 years old and lives in a small town. One night she causes an accident in which a woman loses her life. Eva, terrified, runs away and no one learns of the dynamics of the accident, not even Bruno, a 45-year-old French man who is the victim's husband. Overcome with guilt, Eva begins to date Bruno while hiding her true identity from him, in a relationship that will lead them to free themselves from their suffering.
The film tells, through the gaze of a child, the life of the survivors of the Amatrice earthquake who live in a tent city, in what could be called a new community.
The mystery of entire districts of the metropolis that are emptied of human presence. A disturbing new order that investigates and represses. The lives of three women intertwine in an ambiguous game of escapes and captures, in which the roles of victim and executioner are exchanged to the point of confusion.
A group of friends gathers for a birthday by the sea, only to face the looming possibility of the world ending within hours, transforming one fleeting, endless night into a life-altering experience.
Teresa, a mother from the Lazio suburbs, finds herself making an extreme gesture to defend her family from an unscrupulous loan shark. After serving her prison sentence, she must face the return to everyday life.
After his son dies, an Italian mountain farmer moves to Brussels to look after his granddaughter.
In the past few days Rome has been the scene of a singular event: when it rains, the manholes exhale a dense steam whose origin and composition is unknown. No one can imagine that whoever breathes in the mysterious substance will have to deal with what he/she represses, their darkest instincts, their anger. Not even the Morel family.
Two different worlds, art, and cuisine collide in a tense and mysterious thriller.
France, 1963. Anne is a bright young student with a promising future ahead of her. But when she falls pregnant, she sees the opportunity to finish her studies and escape the constraints of her social background disappearing. With her final exams fast approaching and her belly growing, Anne resolves to act, even if she has to confront shame and pain, even if she must risk prison to do so.
Fabrizio Rongione (born 3 March 1973) is a Belgian screenwriter, film producer and actor.
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