This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.
Sergio, Mali and Luz reluctantly agreed to spend Christmas in the country with their mother; in part because of the guilt they feel about saying no when she has just come out of the hospital after a heart attack, but also because it would be nice to escape from their frustrations for a while.
Following a bust-up with her girlfriend, Emilia returns from the city to her mother's village, somewhere in Patagonia. Her mother isn't overjoyed about Emilia's return, as this disrupts her peaceful existence. Emilia tries to decide how she wants to carry on with her life, but is confronted with people and feelings from her past. Bored and frustrated, or just looking for intimacy, she seduces a number of men, including her childhood sweetheart, but also falls in love with a girl at the school where she teaches gym – an obsession that distracts her from her broken heart and musings about the future. In his first feature, director César Sodero contrasts Emilia's inner restlessness with the immutability of Patagonia. He does this using images of impressive landscapes, natural dialogue and telling non-verbal communication. Surrounded by the peace and beauty of nature, inner chaos gradually gives way to acceptance and self-awareness.
Among gunshots and boleros, a passionate relationship flourishes between a lonely transvestite and a young guerrilla during the Pinochet dictatorship.
A camping trip for a group of friends turns into an unexpected nightmare when one of them encounters a mysterious stranger.
Paulina is a young lawyer with a promising career in Buenos Aires, who chooses to go back to her home town. Her father, Fernando, is a well known judge. Against his will, Paulina decides to teach in a suburban high school as part of an inclusion program. One night, after the second week working there, she's brutally assaulted by a gang. With the disapproval of the people around her, she decides to go back to work, in the neighborhood where she was attacked, without realizing that her attackers may be even closer than she thought.
Rincón de Luz is a 2003 Argentinian telenovela for children and teenagers. It was originally aired in 2003 on Canal 9. The show was produced by Cris Morena, who is also the creator of the show. Rincón de Luz is a kind of spin-off of Chiquititas, Cris Morena's show.
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