Tuzak tells the story of three siblings Mahir, Umut and Umay whose springs of life were taken from them. Who is bad, who is real, who is fake? In such a mixed-up world, three siblings Umut, Mahir and Umay who came together for a common purpose, find out that they don’t have the bond they thought they had. On the other hand, Güneş, Güven and Mete are the siblings, each one of whom believed that their father’s approval and their comfortable lives were more important than each other. Umut, as he is taking revenge from this family he hates, he goes through his biggest conflict thanks to Güneş, the girl whom he believes to be the love of his life with each passing day. Güneş doesn’t know the real identity and purpose of Umut whom she knows as a dirty lawyer Çınar Yılmaz. She will entrust her family’s and her own future to this man whom she falls in love with...
Melis, a PhD students meets with a 70's erotic movie star to write a thesis on her career and the period. As Melis keeps interviewing her, she realizes this former star Alev Hanzade has a blurry past and dark secrets.
A murder investigation is flipped inside out in Burak Çevik's second feature, a spellbinding and surprising work that questions whether we can ever truly understand criminal motives. We begin in the present as an unseen narrator recounts the assassination of his lover's disapproving mother, accompanied by hauntingly vacant images of urban alienation and garish city lights; we then flash back to witness the first encounter between the lovers-turned-accomplices, their mutual attraction and world-weariness emerging across a sleepless night and morning after. Çevik imbues the proceedings with a stylistic confidence and willingness to bend the conventions of cinematic form to arrive at a complex, gripping double meditation on love and death.
When one of them is about to get hitched, five school buddies tackle a list of adventures before adulthood kicks in.
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