In "Living Large," a 12-year-old boy faces bullying due to his weight and decides to take charge of his life by adopting a healthier lifestyle and trying to win the heart of the girl he admires. Through his journey, he learns the importance of positivity and standing against body shaming, discovering that true confidence comes from embracing who you are.
Helena, is about to give birth and face a rosy future in a modern city, as the pregnant wife of an important factory manager. However, all her illusions soon perish, as the dead body of a newborn intersex baby is found in the middle of their factory. Helena needs to find out what happened here for the safety of her own child, but she runs into her own prejudices.
It follows young alchemist Amélie as she acquires a magical power: partially influencing the flow of time. But she is split in time, and Amélie from the present meets Améliw from the past, who accompanies her every step of the way.
After years together, Petr and Hana, partners in work and in life, share their unspoken erotic fantasies. What begins as an innocent conversation gradually turns into curious experimentation with a non-monogamous approach to their relationship. But sexual freedom tastes differently for each of them. Without resorting to exploitation, Tomasz Wiński’s feature debut considers questions that are taboo for many couples. Borders of Love explores not only various forms of intimacy but also ways of depicting it on the big screen, since, among others, the protagonists themselves film each other on their mobile phones. Appearing in the main roles are Matyáš Řezníček and Hana Vagnerová, who collaborated on the film’s story and script as well.
Psychologist Eliska contacts musician Martin with a request for him to perform at an event on mental disorders. Their intense relationship ends with Eliska's suicide, which will resolve long-lasting pain without cause. She flew through Martin's life like a spaceship. She left clothes, things, a farewell letter. But also memories, dreams and eternal encouragement to play. She's still with Martin. Like a memoir, as a gratitude for the experience, like a muse.
Nina is pregnant with Jakub. Today, he introduces her to his family. They’re all gathered in the hospital at the bedside of his grandfather. Just as the young lady tries to put on a brave face, she is faced with the surprising reaction of the dying relative: he wants to see her breasts. This sparks a debate to which she is not invited – should the patriarch’s last vow be satisfied?
Princess Elen wakes up on her birthday knowing she must either kill the evil witch who cursed her or find her true love. The princess has got one last chance to save herself and the kingdom. If she doesn´t manage either, the kingdom will be destroyed. Will she be able to persuade her friends, break the strong spell and defeat the powerful witch?
Eliška Křenková (* 31 January 1990 Prague) is a Czech actress. She was born in Prague. In 2014 she graduated from DAMU as a master's degree in acting, at the Department of Alternative and Puppet Theater. She first appeared in front of the camera in 2005 in Street Street. After that, she played smaller roles in several films such as Raftiacs, School in Millennium, and Vojtěch Kotka's short-comedic comedy Ctrl Emotion. She also made characters in the film The Men in Hope and the Czech Television Series Tell Me. (Wikipedia translate)
By browsing this website, you accept our cookies policy.