Good girl Ana learns a lesson in selfishness when her generous nature is put to the test by an old friend.
Inspired by the biography of the portuguese painter Maria de Lourdes Ribeiro, known as Maluda, who found the stage of her art in Lisbon.
It is 1979. Four young ladies are hired to form a girl band. They can sing, they shine with their dancing, and they shock the country. They become a big hit. They are DOCE.
Created in parallel to the show Teoria das 3 Idades by Sara Barros Leitão, Caos Danado accompanies this creative process as its departure point. Based on the archive of the Teatro Experimental do Porto, it challenges our capacity to evoke and preserve memories through the various types of perception we possess. Caos Danado is a narrative deconstructed between fiction and documentary (lie vs. truth), because the one is not more important than the other.
Rafa is testing his new camera, Rui and Ana are picking him up. The camera keeps filming.
Eduardo Breda, was born in 1990 in Oporto, Portugal. In 2012 he completed his Ph.D., as an actor at the National Conservatory of Theatre and Cinema. Since then, as an actor, he has been working with different theater directors: Ricardo Pais, Bernard Sobel, Bruno Bravo, André Guedes, Nuno Cardoso, Alvaro Correia, Bruno Bravo, Manuel Tur, Francis Seleck, Gonçalo Amorim, among others. "The Portrait" is his first work as a cinematographer.
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