In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”
The film tells the story of Bruno, who drives his motor scooter through the streets of Buenos Aires, making deliveries to the premises of "Extraordinary Objects" of his uncles. His friends wait for him to start the weekend but an unexpected accident with a relative changes his plans. Bruno starts a weekend of adventures, which will involve a scientist, a girl with unusual beauty, a group of aliens who love human flesh and an eccentric modern artist.
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