Annie becomes pregnant. Since she doesn't want to keep the child, she meets a movement that performs illegal abortions. But, in the seventies, Annie will encounter allies and opponents along the way.
If Jean Rochefort remains so dear to our hearts, it is because this extraordinary actor alone embodies a cinema and a France imbued with freedom and carelessness. Through his films, archives and the testimony of those close to him, we discover a complex man, a sad clown saved by his taste for words and for fun.
Delphine Seyrig decided to work on a film project about Calamity Jane to reveal Jane’s sensibility and insight about life in those letters to her daughter. The reading of those letters permits a self-reflection about feminism and motherhood.
In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.
Underscored by French film legend Delphine Seyrig’s evocative recitation of a Henri Michaux poem, Maureen Fazendeiro’s film is a mysterious, multi-textured portrait of eclipse spectators in Portugal.
My aim is to create a highly compressed museum of cinema, consisting of some of the most notoriously engaging, difficult, and lengthy works of film history—those nearly invisible works that explore the limit conditions of film. Works that have become invisible precisely because of their status as “classics.” The experiment is to see just what comes to light when these works are compressed into a familiar yet brief span of time, where one might hold the whole film in memory at once, or refresh one’s memory in a Proustian rush of images, or simply experience that energy of delusion.
Delphine Claire Beltiane Seyrig (April 10, 1932 – October 15, 1990) was a Lebanese-born French actress and film director. She became active in the feminist movement in the 1970s along with filmmakers Chantal Akerman, Marguerite Duras, and Ulrike Ottinger. In 1975, Seyrig joined forces with Carole Roussopoulos and Ioana Wieder to form the collective Les Insoumuses (The Resistant Muses) and produced videos that became an emancipatory tool and medium of political activism.
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