Join Clara at a delightful Christmas Eve party that becomes a magical adventure once everyone else is tucked up in bed. Marvel at the brilliance of Tchaikovsky’s score, as Clara and her enchanted Nutcracker fight the Mouse King and visit the Sugar Plum Fairy in the glittering Kingdom of Sweets. Peter Wright’s much-loved production for The Royal Ballet, with gorgeous period designs by Julia Trevelyan Oman, keeps true to the spirit of this festive ballet classic, combining the thrill of the fairy tale with spectacular dancing.
Ashton gracefully reimagines Turgenev's play A Month in the country as a one-act ballet where all the drama unfolds in the family's living room upon the arrival of dashing young tutor. Characters come in and out, their feelings for one another displayed through solos and pas de deux, highlighting Ashton's talent for playing out complex drama through detailed and intricate choreography.
The Royal Ballet brings their annual presentation of The Nutcracker to life, streamed in cinemas throughout the world.
Tchaikovsky’s much-loved music is matched to a story of magic on Christmas Eve, and the journey of Clara and her Nutcracker to the Land of Sweets brings with it some of the most familiar of all ballet moments. Peter Wright’s gorgeous production for The Royal Ballet keeps true to the spirit of this Russian ballet classic, and the many solo roles and ensembles show the world-class skills of the Company at its best.
The wicked fairy Carabosse is furious she wasn’t invited to Princess Aurora’s christening. She gives the baby a spindle, saying that one day the Princess will prick her finger on it and die. The Lilac Fairy makes her own christening gift a softening of Carabosse’s curse: Aurora will not die, but will fall into a deep sleep, which only a prince’s kiss will break. The masterful 19th-century choreography of Marius Petipa is combined with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. Recorded live as part of the Royal Opera House Live Cinema Season 2019/20 with encore screenings broadcast online during the #OurHousetoYourHouse programme.
From The Royal Ballet’s classical origins in the works of Petipa, to the home-grown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarized in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of the Company’s heritage.
Don Quixote and his servant Sancho Panza set out to have a chivalrous adventure. They meet Kitri and Basilio, a young couple who cannot marry because Kitri's father is determined to marry her off to the wealthy Gamache. Don Quixote decides to intervene. It was on stage 15 February—4 April 2019 as part of the Winter 2018/19 season.
Clara is given an enchanted Nutcracker doll on Christmas Eve. As midnight strikes, she creeps downstairs to find a magical adventure awaiting her and her Nutcracker. Recorded on stage 3 December 2018—15 January 2019 as part of the Autumn 2018/19 season.
Royal Ballet Principal Natalia Osipova dances the title role in Kenneth MacMillan’s haunting ballet, to atmospheric music by Tchaikovsky and Martinů. Anastasia tells the story of Anna Anderson who, following the Russian Revolution and the murder of the royal family, claimed she was the surviving Grand Duchess Anastasia. Many believed her to be an imposter; others hoped she was Anastasia, a remnant of a lost world. A powerful, psychological challenge for the lead dancer, Anastasia explores one of the great historical mysteries of the 20th century, only recently solved, and the distorting mirror of memory, time and place.
A classic returns to the Royal Ballet repertory with Ninette de Valois’ charming and funny Coppélia– a story of love, mischief and mechanical dolls. The intricate choreography is set to Delibes’ delightful score and shows off the technical precision and comedic timing of the whole Company. Osbert Lancaster’s designs bring a colourful storybook world to life in this Christmas treat for the whole family.
Christopher Saunders is a British dancer. He trained at The Royal Ballet School. He entered the The Royal Ballet in 1983. He was promoted to Soloist in 1991 and to Principal Character Artist in 1997. He appointed Ballet Master in 2001 and Rehearsal Director in 2017.
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