Na 'Leedvermaak' uit 1989 en 'Qui vive' uit 2001 is de trilogie nu compleet met 'Happy end'. Frans Weisz regisseerde, Judith Herzberg schreef. Een familiegeschiedenis waarin 3 generaties van een joodse familie elk op hun eigen manier worstelen...
Rising, rather autobiographical novelist Giph has a hot girlfriend, doctor and model Samarinde. His crude, domineering and progressive mother Ria's suffering an incurable decease in which she suffers from paraplegia. Her inevitably ensuing death is brought forward with euthanasia. Giph is struggling to handle the situation with his mother. Shortly after his mother has passed he away, he decides to join his fun loving friends on La Palma for a holiday. There Samarinde tells her boyfriend she's expecting his baby
Six people are about to undertake a journey by foot from the very north of the Netherlands to the very south, in search of the mountains. Only two of them reach the destination.
Frans van de Staak, Holland's most prominent avant-garde director, made this film "...about people who want to get something done. I leave out the why as well as the results. What's left is the moment of endeavour. There are two couples. The four characters are played by eight actors. There is little dialogue. Sometimes a couple does not seem to live together, just to be alive together in the same room. Each one of them at one time walks through an anymous part of Amsterdam. They put their feet down with a will, clicking their way through town. We do not know where or why they are going. To a meeting, to get some exercise, nowhere? They have difficulty in communicating. They leave notes to each other on the table rather than talk. The film sometimes mocks their intensity. It is surprising that such a strange film can keep the viewer's attention for an hour and a quarter. But it certainly does. (Dutch Fim 1988-89)
A Dutch couple is confronted with the husband's rapid onset of senility during a snowy winter in North Eastern Canada.
Two very different friends who share an apartment in Amsterdam have reached a dead end in their lives. The arrival of a parcel looks like an opportunity for a change.
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