The intertwined lives of Jean Harlow and William Powell, from childhood struggles to Hollywood stardom. The rise of Jean Harlow and William Powell in Hollywood, from humble beginnings to success in the transition to talkies.The journey of Jean Harlow's rise to stardom, from being discovered by Howard Hughes to her relationship with Paul Bern. Tragic love stories of iconic Hollywood stars, Jean Harlow and William Powell, intertwined with scandals and success. The transformation of Jean Harlow's career in Hollywood due to the implementation of the Hays Code. The romantic relationship between Jean Harlow and William Powell blossoms amidst Hollywood's glamour and studio pressures. The tumultuous relationship between Jean Harlow and William Powell, marked by unfulfilled engagement and family interference. Tragic love story of Jean Harlow and William Powell leading to Jean's untimely death. The tragic love story between two iconic Hollywood stars, Jean Harlow and William Powell.
It was the world's largest, most beautiful and fastest cruise ship. Built in Saint Nazaire in 1932, the "Normandie" was the pride of France. But it took only a few hours, amidst the chaos of World War Two, for this dream of grandeur to lie broken in New York harbour.
Carole Lombard is one of the greatest female screen legends. She was and is adored by her fans, not only for her movies but also because they recognize in her a girl with an indomitable spirit and admirable character. This is her untold story: the story of a remarkable woman who touched the hearts of all who met her; the story of a woman who at every step thought about how to help those who crossed her path.
Born in Mexico, Anthony Quinn became the family's main provider when his father died in an accident. Thus began the story of a man who had a thousand jobs before acting in a Cecil B. DeMille film…
From Wikipedia, the free encyclopedia Carole Lombard (born Jane Alice Peters, October 6, 1908 – January 16, 1942) was an American film actress. She was particularly noted for her energetic, often off-beat roles in the screwball comedies of the 1930s. She was the highest-paid star in Hollywood in the late 1930s. She was the third wife of actor Clark Gable. Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by the film director Allan Dwan and made her screen debut in A Perfect Crime (1921). Eager to become an actress, she signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts. She was dropped by Fox after a car accident left a scar on her face. Lombard appeared in 15 short comedies for Mack Sennett between 1927 and 1929, and then began appearing in feature films such as High Voltage and The Racketeer. After a successful appearance in The Arizona Kid (1930), she was signed to a contract with Paramount Pictures. Paramount quickly began casting Lombard as a leading lady, primarily in drama films. Her profile increased when she married William Powell in 1931, but the couple divorced after two years. A turning point in Lombard's career came when she starred in Howard Hawks' pioneering screwball comedy Twentieth Century (1934). The actress found her niche in this genre, and continued to appear in films such as Hands Across the Table (1935) (forming a popular partnership with Fred MacMurray), My Man Godfrey (1936), for which she was nominated for the Academy Award for Best Actress, and Nothing Sacred (1937). At this time, Lombard married "the King of Hollywood", Clark Gable, and the supercouple gained much attention from the media. Keen to win an Oscar, at the end of the decade, Lombard began to move towards more serious roles. Unsuccessful in this aim, she returned to comedy in Alfred Hitchcock's Mr. & Mrs. Smith (1941) and Ernst Lubitsch's To Be or Not to Be (1942)—her final film role. Lombard's career was cut short when she died at the age of 33 in an airplane crash on Mount Potosi, Nevada while returning from a war bond tour. Today, she is remembered as one of the definitive actresses of the screwball comedy genre and American comedy, and ranks among the American Film Institute's greatest female stars of classic Hollywood cinema.
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