Lost in the middle of the countryside at the wheel of her old Kangoo, Siham is desperate to find that "bloody party". In the back seat, Marguerite and Arthur, aged 15 and 8 respectively, are determined to put her through hell. In this rolling crisis cell, tension builds to a crescendo. Elsewhere, in a gymnasium transformed into a meeting room, a mysterious gathering is taking place.
Marcia, a classy young Parisian singer, is recording an album with her idol Daredjane, a '70s rock icon. When Daredjane dies accidentally, Marcia needs to get approval from Daredjane's rights-holder, Anthony, a suburban market vendor in his thirties, to release their album. But Anthony never liked his distant relative, let alone her music. Their two worlds clash between good and bad taste, sophistication and rudeness, sincerity and lies. Unless love gets in the way...
This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.
As everyone knows, children make no difference between social classes, skin colors or religions. But then why does Corentin, Paul and Sofia's nine-year-old son, only have friends like him at Bagnolet's school? And when his friends all leave for a private school in Paris, his parents are frightened. From now on, Corentin is the only one in his class. But the only what?
Joseph and his two sons, Joachim and Ivan, form a close-knit family but fail to see that each one is losing control of his life. Joachim is supposed to be studying psychiatry but spends most of his time daydreaming about his ex-girlfriend, Ivan cannot fit in at school despite being very smart, and Joseph has secretly quit his job as a doctor and is trying to become a writer. While there is plenty of affection at home, all three are also, clumsily, searching for love...
It's summer, somewhere in the Dordogne, young people disappear. The wildest rumors circulate, we are talking about a feline prowling. Laura, seeks to elucidate the mystery and meets Paul, a strange writer who attracts him as much as he scares her. As they get closer, a lover spurned by Laura disappears in turn.
After a violent car crash, Marilyn must take care of her man, who suffers from severe head trauma.
In the absence of her sister Rim, what was Yasmina doing in a car park with their boyfriends Salim and Majid? Rim knows nothing about it, but that's because Yasmina is doing her utmost to prevent her from finding out. What was it, then? The unmentionable... the worst thing ever... supersize shame - and it was all captured by Salim in a potentially highly volatile video...
Born in Toulouse in 1978, Baya Kasmi began working with Michel Leclerc on a TV series about adolescence, Âge sensible (2002), before the screenplay for Le Nom des gens (2010), which is said to have been inspired by an autobiographical story, won a César award. The duo reformed to write La vie très privée de Monsieur Slim (2015) and La lutte des classes (2018). As a director, she first established herself successfully in a short format with J'aurais pu être une pute, nominated for a César in 2012 for Best Short Film, which revealed Vimala Pons alongside Bruno Podalydès. The young actress went on to play the lead role in Je suis à vous tout de suite (2015), the director's first feature film. She then went on to work as a scriptwriter (for example, with Thomas Lilti on Hippocrate and Médecin de campagne), and it was not until early 2023 that her second feature was released: Youssef Salem a du succès, starring Ramzy Bedia.