2021 served as a revelation for the last holdouts: thanks to confinement and the “Culture Pass”, manga sales and streaming anime viewing hours have exploded. These are today the dominant cultural works among young people. In truth, the trend has already been present for at least ten years. However, not so long ago, criticisms were rife and politicians accused manga of all evils. For the first time, precursors and current generations, cartoonists and publishers, absolute fans and rappers speak about their passion for these comics from Japan.
1981. Marguerite, a brilliant scientist, is abruptly dismissed from her research project. Her new director, the deceitful André Capelle, intends to use her prototype antenna to contact a Machiavellian intelligence from another world.
Time to go to bed... Need to explore the wildest of fantasies to put you in the mood? Leave it to the great storyteller of everything lustful and taboo, Bambi Fontaine!
The crisis saves nobody. Even not the characters of our childhood. To such a point that some people of them even became socially disadvantaged persons. Fortunately for them, all is not lost and a brave social worker decided to deal with their case. Come in his office and assist its confidential interviews with Aspegix and Grodebilix, Zizimir, Sandy, Proumfs, Mr Patatos, Marius and Gigi, the Tortoises Tramps and all Kassos which suffer in the biggest indifference.
Yves Bigerel, often known professionally as Balak, is a French comics artist and animator. He is mostly known in France for the comic book series Lastman. In 2009, Balak invented a new digital comics narrative technique which he called "turbomedia"; his work was noticed by Marvel editor Joe Quesada, who recruited him to help establish the Marvel digital imprint "Infinite Comics". (From Wikipedia)
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