When a couple miscarries, they grieve in very different ways that begin to pull them apart but given time, space and some understanding of post-traumatic growth, along with a continuous supply of peanut butter-filled donuts, they find their way back to each other.
Basically, Kafka’s Metamorphosis is unfilmable. After all, the author didn’t want visual representations to appear of the insect Gregor Samsa turned into; readers should visualise that themselves.
An earthquake in the north uncovers a large hole in a nature reserve. Inside the hole, three human skeletons are found. The plot thickens when DNA tests reveal that the DNA belongs to three living people...
Sigal, a cynical high school teacher, bets that she can make the worst senior student pass an upcoming exam. When a personal connection is formed, Sigal begins to question her initial motives.
“The Office” is a mocumentary series based on the British show of the same name. Somewhere within the industrial area of Yahud is a grey, drab office, the failing branch of an office supply company heroically named “Paper-Office”. The branch is run by the show’s protagonist, Avi Meshulam, a 40-year-old loser, who’s overweight and has severe self-image issues that turn him into a liar, a suck-up, and a generally unbearable human being. He’s absolutely sure that he’s a wonderful standup comedian, who wound up in this boring, humiliating job purely by chance. Management is constantly trying to fire him, his employees despise him, yet he is ever the optimist, and he talks in catch phrases lifted from the most banal management books. He is surrounded by the range of characters that make up the impossible mosaic of Israeli society. Romance flourishes, schemes are hatched, lamination machines are sold on sale– and everybody tries to make it through yet another day with their unbearable boss.
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