Kaori is pursuing her career as a journalist for a magazine with great enthusiasm. But as a result of an article she wrote, she is sent to work for a community magazine at Fukuoka. An anonymous letter arrives, which puts her in contact with an old and forgotten theater, the 'Minato Theater' in nearby Shimonoseki.
Ruri, having been abandoned by her mother to a foster care facility, lives a life of reckless abandonment. When Nakama Yuzo, a kind man but for a trigger-happy temper, runs into Ruri he realizes that perhaps she's the child he's been looking for. Yuzo lives in Hatomijima, a small insland in Okinawa where the population is 49 and the average age group is 61. There are no children. The island has only one school - a primary school. If a child is not enrolled in the school, it will be closed. As a result, society will abandon the island and in a few years, it will cease to have any inhabitants. To save their island, the locals decide to bring in a foster child. Ruri is their candidate, and with her she brings the hope of the island's survival.
Half a Confession introduces itself as a thriller and abruptly changes gears, transforming into a tale of morality with deeper insights into its characters than we had anticipated. It begins when Soichiro Kaji (Terao), a retired detective, walks into police headquarters and confesses to the murder of his wife. We learn that the victim had prematurely developed Alzheimer's after the tragic death of their son, and in her suffering, had asked to die. The police chiefs would be far more content to take him at his word if it were not for a conspicuous hole in his story: 48-hour gap between the alleged murder and his confession. Fearing a public relations nightmare, they are eager to bury the incident and keep the press in the dark.
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