In a neighbourhood on the outskirts of Taranto, high upon the rooftops framed by the Ilva steel factory, we meet Tonino a.k.a. “Barboncino” (poodle). Tonino has just committed a robbery and, in a moment of foolishness, fled from his accomplices, taking the entire loot for himself. He escapes upward, clambering from roof to roof, until he can go no further and must take refuge in an old water tank. Here he finds Renato, a strange and eccentric man who believes he is an American Indian from the Sioux tribe. Trapped with no other choice, Tonino is forced to team up with Renato. A strange and crazy friendship is formed, and Tonino learns to see things from a very different perspective.
After her father's death, Aida returns to her Arbëreshë village and grapples with complicated feelings about her origins.
Seventies in Italy. In Sardinia a group of criminals kidnaps a well-known public figure in search of redemption. For Giovanni, the leader of a small but determined local gang, known for his long kidnappings on the inland hills, will be an opportunity to confront a wiser and more informed person than he is. Inspired by the true story of Fabrizio De Andrè.
A cinic director and his assistant come back to Basilicata, their homeland, looking for redemption. 50 years aged and aristically loser, they try to shoot a rickety investigative movie titled "Il Vangelo secondo Mattei" in the same location where Pasolini filmed his "The Gospel According to St. Matthew" but focusing on the disasters caused by oil extractions in their wasteland of Basilicata, in the south of Italy. As main character, they choose Franco, 70 years old, that was an extra in Pasolini film...
By browsing this website, you accept our cookies policy.