1989-1990. General Secretary of the CPSU Mikhail Gorbachyov begins global transformations in the USSR. He passionately wants to become a star in world politics and for this he is ready to go as far as he can to meet the West. But the perestroika planned by Gorbachyov leads to fatal, irreversible consequences. Intelligence officer Alexander Nechaev finds himself at the center of an operation organized by the intelligence services of several countries. During the months spent in Berlin at the moment of the breakdown of the entire post-war world order, Nechaev changed a lot. He no longer knows who is a friend and who is a traitor, but continues to defend the honor and interests of his Motherland...
Egor lives in a small seaside town and is graduating from high school this spring. He cannot stand the routine of his life much longer, and with his loyal friends Kisa and Hank, they start to look for excitement in their small town.
The last film in Vidokle's trilogy on Cosmism is a meditation on the museum as the site of resurrection-a central idea for many Cosmist thinkers, scientists and avant-garde artists. Filmed at the State Tretyakov Gallery, the Moscow Zoological Museum, The Lenin Library, and the Museum of Revolution, the film looks at museological and archival techniques of collection, restoration and conservation as a means of the material restoration of life, following an essay penned by Nikolai Federov on this subject in the 1880s. The film follows a cast comprised of present-day followers of Federov, several actors, artists and a Pharaoh Hound that playfully enact a resurrection of a mummy, a close examination of Malevich's Black Square, Rodchenko's spatial constructions, taxidermied animals, artifacts of the Russian Revolution, skeletons, and mannequins in tableau vivant-like scenes, in order to create a contemporary visualization of the poetry implicit in Federov's writings.
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