Anya and Oleg are preparing for the wedding. But Anya has a little secret - she didn't tell her parents anything. Anya is afraid that her mother will not approve of her choice. And, indeed, she has completely different plans - her mother wants to marry her daughter to her neighbor in the dacha. As a result, Anya ends up on her honeymoon not in Thailand, but with her grandmother in the village with two suitors.
1911, A graduate of the Institute of Noble Maidens, Sasha Meshcherskaya returns to a small provincial town. The well-being of her family is based on her relationship with her loving uncle, the owner of the arms factory Nikolai Shumilov. Sashenka's parents: Prince Ivan Sergeevich Meshchersky and Maria Ilyinichna dream of their daughter's early marriage, and she herself dreams of a brilliant career as an architect. Wanting to please her parents, Sasha makes new acquaintances and instantly plunges into a whirlpool of intrigue, where political interests are at stake above personal passions. Cold-blooded murders and blackmail, intricacies of conspiracies, daring provocateurs eluding detection - all this captivates the enthusiastic schoolgirl, who experiences mortal melancholy from the paucity of life prospects. Without noticing it, Sasha becomes an ideal target for terrorist hypnosis.
Captain Fedor Volkonogov works in law enforcement. He is on the good books of the management, and his colleagues respect him. But one day, his life abruptly changes: he is declared a criminal. The Captain manages to run away before he is arrested. Suddenly he turns into an outcast, whom his former colleagues search across the whole city. At night Volkonogov is visited by a messenger from the other world, who warns him that after death he will go hell and be tormented forever. But he has an opportunity to change his fate and get to paradise if he repents, and at least one person forgives him. The Captain embarks on his way to find forgiveness. But he cannot even fathom what tests are awaiting him on this way.
Sasha, Pasha and Lesha meet at a therapy course for men traumatized by women. Yes, there are some, because in the world of strong women, many men have lost themselves. But our heroes do not want to be victims, they decide to "go on the warpath" and restore justice. One problem - they are still slobs.
An ancient mythical creature returns three young people to their childhood forms so that they can find the true path to their dreams.
For the journalist Lyuba, everything is going according to plan: the work of the presenter on the TV channel, the successful and wealthy fiance Robert. The plan goes to hell when Lyuba's phone goes down, and she asks to call a random passerby from the phone. It turned out to be Sergey, who also had a calm and measured life until that day. This meeting will launch a series of events that will completely change the life of Lyuba, and Sergey, and themselves.
Spring of 1921. NEP (New Economic Policy) initiation rapidly changes Petrograd which was lifeless after wars and revolution. Marches and hymns are mixed with foxtrot and chanson. Well-dressed people appear on river quays, as well as thugs who are ready to rob them of money. So the chaos starts and it is invincible for police: shops are robed five times per day. Then the criminal world of Petrograd headed by Uncle Kolya comes to defend NEPmen and starts to run a protection racket on them. But not all the NEPmen are ready to pay for these services what makes Uncle Kolya to send his combat groups to these people. The most famous and productive of these groups is the Rodya’s gang. Rodya is former anarchist, sharp thug, fancy pants and ladykiller.
The film industry is a world with too many variables. A film's success depends not only on actors and directors but on everything that happens behind the camera: endless fights between the screenwriters, mischief, love affairs, and money issues. Finally, the whole team gets together for a wrap party. They will not only drink champagne but tell each other everything they've been hiding. Love affairs come to an end and arguments die down while the director is trying to understand whether he managed to create something "real".
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