In space, no one can hear you scream! the catchy slogan that accompanies Alien sums up the unprecedented stakes of this film that will mark the history of cinema. In 1979, for the first time on screens, a mainstream feature film will mix two distinct worlds of genre cinema: science fiction and horror. Ridley Scott forever shakes up the cinematic landscape by plunging the audience into anguish with his oppressive universe and his iconic monster. The documentary looks back at the lasting impact of this masterpiece, exploring Scott’s audacity and the genesis of his unique aesthetic. In the claustrophobic corridors of the Nostromo spaceship, the heroine, played by Sigourney Weaver, becomes the first strong female figure to redefine the conventions of the genre, far from the clichés of the time. By revisiting the film's key sequences, the documentary shows how Alien explores profound themes such as survival and dehumanization, while reflecting a scathing critique of the capitalist system.
While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe.
In a present day post-apocalypse where New York City has become a wasteland with a resting temperature of 140 degrees, Kai struggles to find an intimate connection using an online dating device which allows you to feel someone else’s touch.
Aileen Wu, is a Chinese-American actor, director, writer, producer currently based in Brooklyn, NY and Vancouver, BC. Throughout her teenage immigration experience, Aileen used creative storytelling as a tool to unpack the mysteries of cultural relativism. And lately, each project has been an opportunity to challenge the confines of communication and empathy. Aileen made her off-broadway acting debut in 2019 as Cordelia in Smith Street Stage’s new adaptation, LEAR: THAT OLD MAN I USED TO KNOW. In the following year, she made her directing debut through NYU’s Chinese Students & Scholars Association with her new play, THE POEM OF FORGETFULNESS, using a devised and experimental theatre approach. Recent producing credits include theatre documentary, HAMLET: REHEARSED (for Smith Street Stage), narrative short-film, FISH TANK (for the 2021 Run N’ Gun 48 Hr Filmmaking Competition) and award winning ultra-short-film CLOSING DOORS (for the 16th Annual Mighty Asian Moviemaking Marathon at the Vancouver Asian Film Festival).
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