Barbie, once an attractive, devoted mother and partner, faces newfound challenges as she turns 55, descending into darkness, violence, and absurdity while grappling with her identity, relationships, and life's complexities.
In 1972, Karl Lagerfeld is an unknown 38-year-old designer of ready-to-wear fashion, largely unknown to the public. His encounter with the young Jacques de Bascher, an ambitious and seductive dandy, changes everything.
Pierre, a successful 33-year-old florist, has his life turned upside down by the sudden arrival of his mother Judith, whom he hasn’t seen for two years. Mercurial and extravagant, she suffers from bipolar disorder and has recently escaped from a clinic. Pierre has only one idea in mind: bring her back as quickly as possible so his life can get back on track. But nothing happens as he hoped for. Their unexpected reunion, as funny and explosive as it is heart-wrenching, will transform Pierre and Judith forever.
Bellisha is a good Jewish boy. He is a 27-year-old curly-haired, weak and nonchalant young man who struggles to become an adult. He still lives with his mother, Giselle, in a poor neighborhood. After the closing of the last synagogue, it is the turn of the last kosher grocery store to close its doors. That's it, they are the last Jewish family in the area. But much to Giselle's dismay, Bellisha doesn't particularly want to leave. He feels comfortable and positive, despite the tensions in the community and his mother's rapidly deteriorating health.
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
Mimi is 29 years old and still dreaming about a job she could get. She meets Paul, a sidelined lawyer, as she decides to seek employment. Together, they will defend Christophe, a conman who proclaims his innocence.
Catherine and Oracio are real estate advisors, and are visiting two properties in quick succession: a large bourgeois house "which can have a swimming pool and RER view", and a small modern apartment in the heart of Bougival's golden triangle.
Noémie, an experienced screenwriter, meets up with Vincent, her first childhood love, at the film school where he is now the director. Through an extraordinary masterclass where intimacy rubs shoulders with the universal and reality flirts with fiction, Noémie will teach Vincent and his students that the art of writing a screenplay is the art of living passionately.
Yuku is a young mouse who lives with her family in the cellar of a castle. Her grandmother passes on the family values by telling her timeless folk tales. Injured in a tussle with a cat, the old mouse is bedridden and she tells her children that she will have to leave them to follow the little blind mole into the Earth’s tunnels. In one of her grandmother’s storybooks, Yuku learns that the flower of the Himalayas can bring her eternal light. She leaves on a journey of discovery to find the flower.
Agnès Jaoui (born 19 October 1964) is a French actress, screenwriter, film director and singer. Jaoui has won six César Awards, three Lumières Awards, and a Best Screenplay Award at the Cannes Film Festival. She has received numerous other awards and nominations, including a nomination for Academy Award for Best Foreign Language Film. Jaoui was born in Antony, Hauts-de-Seine, and is of Tunisian Jewish descent. She is the daughter of Hubert Jaoui and Gyza Jaoui, who are both writers. They moved to Paris when she was 8 years old. She started theatre when she was in high school at the Lycée Henri-IV in Paris. She entered the Cours Florent when she was 15. Patrice Chéreau, director of the Théâtre des Amandiers in Nanterre where she began attending drama classes in 1984, gave her a role in the film Hôtel de France in 1987. That same year, she appeared in Harold Pinter's L'anniversaire with Jean-Pierre Bacri, who later became a faithful colleague and companion. Jaoui and Bacri wrote the play Cuisine et dépendances, which was adapted onscreen in 1992 by Philippe Muyl. In 1993, director Alain Resnais asked them to write an adaptation of Alan Ayckbourn's 8-part play Intimate Exchanges, which became the 2-part film Smoking/No Smoking. This ironic diptych about free will and destiny won the César Award for Best Writing in 1994. In 1996, they came to know greater success with Cédric Klapisch's adaptation of their play Family Resemblances (Un air de famille), which showed their ability to observe and depict everyday life, and to criticize the social norms through bitter and corrosive humor. Once again, they won the César Award for Best Writing in 1997 and the same year collaborated again with Resnais on Same Old Song (On connaît la chanson), which they wrote but also interpreted: together, they won their third César Award for Best Writing, and Jaoui her first César Award for Best Supporting Actress. Jaoui directed her first feature film, The Taste of Others (Le Goût des autres, 2000, written with Bacri), which questions social-cultural identities. The film was a huge success in France and attracted 4 million spectators. It also won 4 César Awards in 2001 including Best Film and Best Writing, and was nominated for the Academy Award for Best Foreign Language Film. In 2004, Jaoui's second film as a director, Look at Me (Comme une image), co-written with Bacri, was selected for the Cannes Festival and won the prize for Best Screenplay. She starred in the last Richard Dembo's film, La maison de Nina (2005) and then focused on music and released her album of Latin songs, Canta (2006). She returned to cinema in 2008 with Let's Talk About the Rain (Parlez-moi de la pluie), with French humorist Jamel Debbouze in a different role from what he was used to. In 2012, Jaoui directed her latest film to date, Under the Rainbow (Au bout du conte), also co-written with Bacri. She revisits several fairy tales such as Cinderella, Snow White, and Little Red Riding Hood. It received acclaim from critics and audiences for originality and humor in the writing and dialogue. ... Source: Article "Agnès Jaoui" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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